You agree to (a) immediately notify Inkdrop of any unauthorized use of you password or account or any other breach of security, and (b) ensure that you exit from your account at the end of each session. You are responsible for maintaining the confidentiality of the password and account, and are fully responsible for all activities that occur under you password or account. You may not use a false email address, impersonate any person or entity, or otherwise mislead as to the origin of any content.
Inkdrop frames update#
Upon creating a user account, or filling out any forms you agree to provide Inkdrop with a current email address and to update such information immediately upon any changes.
If you are under the age of 18 you may use Inkdrop only under the supervision of a parent or legal guardian who agrees to be bound by these Terms. Inkdrop will only knowingly provide use to parties that can lawfully enter into and form contracts under applicable law.
By continuing to use the Inkdrop Site, you are indicating your agreement to be bound by these terms and all revisions thereof. Please refer to the Terms periodically for any changes. Inkdrop reserves the right to change these Terms from time to time without notice to you by posting new Terms on the Inkdrop website. Inkdrop provides its website and related services ("Site") subject to the following Terms of Use ("Terms"). Rendering at 1/2 resolution also increases the density of points in the render due to how the point rendering works so this reduced any noise even further.Welcome to the Inkdrop Gallery ("Inkdrop") Terms of Use. The last trick i used was to render the final effect at 1/2 resolution and then use an AI up-scaler to smooth out the dots generated by the particles. I am manipulating the particles in various ways with krakatoa's magma editor, such as tweaking the absorption colors/densities/normals etc. This especially helps with the color mixing since it tends to create strands of overlapping color instead of a general diffuse mixture. I also wanted some form of specular on this so it would appear shiny and krakatoa allows me to render with various different shading modes. Even then you cant get the same amount of variation in density since the particles are physically moving and clumping together which creates a more natural look. In order to reach that level of fidelity on a voxel grid the resolution would have to be crazy high. I also use the density gradient to calculate normals with magma so if the particles don't match, neither will the normals.Īnother reason why i chose particles over voxels was for the shading and detail. If the particles dont match the smoke then it can lead to odd artifacts such as holes in the sim where the particles drift outside the density field. This was a problem for me because the krakatoa caches are sampling the density of the voxel grid. I would have very much liked to use phoenix instead of fume for this since i prefer the visual style of the smoke a bit more than the fume one, its more realistic looking. The particles always seemed to be 1 frame ahead of the smoke, regardless of the amount of sub-frame steps. It was as if the particles was sampling the velocity grid from the from the frame AFTER your current one. I was unable to get the particles to match the smoke as well as i could with fume. I chose to go with fumefx because i suspect there is a bug with how the particles follow the phoenix grid. You have zero control over that in fume/phoenix. Since the mixing is controlled by gradients they could be entirely non-physical if i wanted. By using tyflow to control the mixing i also have much more fine control over how it mixes, from the mixing radius down to how fast it mixes. I wanted subtractive color mixing for this so i can get the third color when the 2 mix, in this case the green. Fume/phoenix use additive color mixing, the more colors you add the closer to white you get. A few things are happening that neither fume nor phoenix can do on their own. There are a few reasons why i decided to go this route. This whole process was largely just me experimenting to see how far i could push it by combining most of the techniques i have learned up to this point. The workflow is quite old yes, however i wouldnt say obsolete, there are still some things particles can do that voxels cant.
0 kommentar(er)
